Dualism in artistic representation is for the artist the reflection of the elements of duality present in nature, in thought and in the human condition. Her artistic work, naturally emerges from the principles of duality. She uses geometry to represent the structured realities of thought, nature and human life. Organic forms, specially references to the human body, bear witness to the random realities of living status. For her, these two types of realities coexist in all things. The organic world, necessarily imperfect and temporal, is made up of infinitely small basic elements, close to geometric perfection.
Colors and transparency are of paramount importance in his work. Transparency is one of her privileged means of bringing out the dualities of the real world and the visual representation. Transparency to unify images, modulate light and colors, change their qualities. Transparency questions the limit. Limits of the visible, limit of the tangible. See through, crystalline images, see up close, see from afar.
Les signes, les mots et les formes proches de l’écriture apparaissent également dans mes œuvres, à la frontière entre ce qui peut être lu et ce qui demeure à interpréter.
Depuis plusieurs années, les traces, la mémoire et le vivant occupent une place croissante dans ma recherche. Mon travail avec Physarum polycephalum, organisme unicellulaire capable de former des réseaux complexes, a profondément transformé ma manière d'envisager une partie de ma création. Je ne cherche plus seulement à représenter le vivant : je l’observe, j’expérimente avec lui et j’accueille les formes, les déplacements et les traces qu’il produit.
In her works, she brings to life, abstraction and figurative, color and transparency, the microscopic and the macroscopic, photography and painting, the real and the virtual, the pixel and the cell. The artist has been using the digital medium for 20 years in her work, because of his unrivaled assembly capabilities through transparency. When she uses it, she seeks to exploit the specificity of the medium, to make works that she could not achieve without him. This medium is the basis of the assemblage of her hybrid works (digital media and painting). It allows an extraordinary precision work in successive layers (layers). This artistic approach, by layer, recalls one of the oldest and best-known techniques of painting, used for centuries by painters from yesterday until now. Technology revisits painting. The new celebrate the old. Layer overlays. Overlays of time and space. But the past is not a guarantee of the future. It is important for the artist to continue to look for the best ways to translate her inner vision. This is a decisive condition for the creation of a work that resonates.
Mon parcours entre art, science et écriture nourrit cette recherche. L’observation et l’imagination, la connaissance et l’intuition n’y sont pas contradictoires : elles constituent différentes manières d’interroger le réel.
Ma pratique se situe aujourd’hui dans cet espace de rencontre, là où art, science, langage et vivant peuvent ouvrir de nouvelles façons de regarder, de comprendre et de raconter le monde.
